pago pago painting by latiff mohidin historical background

The show takes its name from the phrase ‘Pago Pago,’ which was coined by Mohidin himself to evoke the consciousness that emerged from his travels. It includes an entirely new section with works he made during the 1950s in Singapore. (43 3/4 x 48 in.) How to stop using animal products in your skincare regime this Veganuary, 9 of the most exciting beauty launches we love this January 2021, Optimise your liver’s health with Swisse’s Ultiboost Liver Detox, Art meets furniture in Roche Bobois’ collection with Joana Vasconcelos, How to adopt the Pantone 2021 colours for your home, Samsung has finally unveiled its latest Galaxy S21 flagship series, Review: MINI Electric offers city driving sensibilities without compromising on fun, Have a shopping problem? We honestly can't decide either, The best way of experiencing any new phone is by g, @louisvuitton has just named tennis champion @naom, Since we can't travel (yet), our mid-week break in. This exhibition invites visitors to observe the formation of a regional avant-garde, via the microhistory of an individual in Southeast Asia. In this context, Latiff Mohidin’s 1961 encounter with a series of Thai and Khmer relics resembling pagoda forms at Dahlem’s Ethnological Museum of Berlin, from which the word “pagoden” and later “pago” emerged, needs emphasis. And unlike Pago-Pago, Mindscape 1 (1974), Mindscape 2 (1976), Gelombang (1988), Rimba (1998) and Voyage (2007), Langkawi (1976 – 1980) singles itself out as the only series in Latiff Mohidin’s vast oeuvre directly titled after an actual, physical site. Stephanie writes about food and culture. The show takes its name from the phrase ‘Pago Pago,’ which was coined by Mohidin himself to evoke the consciousness that emerged from his travels. The thick, controlled brushstrokes in sprawling paintings like Provoke (1965) and the free verse of his poetry grew to recall everything from the temples of Angkor and Balinese dance to ginger roots and bamboo … Embodying the merantau sensibilities of his Minangkabau upbringing and heritage — which encouraged the community to travel beyond their homeland and seek knowledge from around the world — Mohidin soaked up all Berlin had to offer: everything from Cubism and Surrealism to experimental film and jazz. Acquired directly from the artist by Graham McManaman Acquired from the above by the present owner. This painting depicts the stories in the Bible about the lack of fishes being caught and Peter, the first disciple, failing to walk on water because he failed to believe. Most notably, it features Mohidin’s hand-drawn map of Kampong Glam as he experienced it, which he produced specially for this show. “I was asked to write something magical,” … View Pago-Pago Series (1968) By Latiff Mohidin; Oil on canvas; 35 1/2 x 27 3/4 inches (90.2 x 70.5 cm); Signed; . A way of thinking and working that sought to challenge the dominance of Western modernism at the time, Pago Pago led Latiff Mohidin … May 1969 would mark a turning point in Malaysia as sectarian violence broke out in Kuala Lumpur, leading to major shifts in the social contract with significant effects on cultural production. In literature, he won the pinnacle SEA … Latiff Mohidin catapulted onto the world stage when his Pago-Pago was celebrated in a landmark exhibition from February-May 2018 at the Pompidou Centre in Paris (In-Focus Gallery), making him the first artist from Southeast Asia to be featured there. (33 1/8 x 43 1/2 in.) (1965) and the free verse of his poetry grew to recall everything from the temples of Angkor and Balinese dance to ginger roots and bamboo rhizomes. Latiff Mohidin’s literary and painterly world is also heavily informed by the writings of Jorge Luis Borges, Chairil Anwar and Johann Wolfgang von Goethe amongst others. The phrase in its title, “Pago Pago,” was coined by the artist to evoke the consciousness that emerged through these travels. Pago Pago: Latiff Mohidin (1960-1969) opens on February 28 at its In-Focus Gallery. Access more artwork lots and estimated & realized auction prices on MutualArt. Latiff Mohidin ’s Pago Pago series was hailed as unique and exemplary the moment it appeared in public. This moment, which he evokes through the phrase “Pago Pago,” has found a significant place in writings on Southeast Asian art. Painted in 1969 Provenance. Latiff Mohidin: Pago Pago (1960-1969) traces a formative period in the artist’s practice during the 1960s as he journeyed across Europe and Southeast Asia. It was seen as a compelling family of pictures in 1973, when the Balai Seni Lukis Negara (as it was then known) staged a retrospective exhibition of the artist in Kuala Lumpur, spanning about 20 years of his art. (Source; T.K. It’s an in-depth, biographical approach that immerses viewers in Mohidin’s spirited life, astute worldview, and vivid visual and written works. LATIFF MOHIDIN (Malaysian, B. As a painter, Latiff has redefined Malaysian visual arts with series such as “Pago-Pago”, “Mindscape” and “Langkawi”. 100cm x 100.3cm. It charts the creative networks he engaged with while growing up in the area and offers deep insight into the vibrant cultural and literary activities that defined life there. Latiff Mohidin’s life work has been discussed extensively within national and, to some extent, regional frameworks, yet his contribution to global modernism remains understudied. Latiff Mohidin: Pago Pago (1960-1969) traces a formative period in the artist’s practice during the 1960s as he journeyed across Europe and Southeast Asia. Latiff Mohidin journeyed through these shifting political configurations, as he travelled extensively in the region rom 1964 to 1969. How does one advance the mediums of painting, drawing and writing to suit local milieus? Pago Pago, 1966, Ink and wash on paper, 13.6 x 21.5 cm. With his prolific work, Mohidin’s works continue to forge a distinct regional aesthetic while offering a unique perspective into how an artist considers his place in the world. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. 6 timeless bags for men that will never go out of style. ABDUL LATIFF MOHIDIN (Malaysian, B. With each visual strand and poetic fragment, Latiff Mohidin offers a Pago Pago-esque life-world that measures time not in linear but cyclical flows. WEB DESIGN BY TOMMY NG, Kuala Lumpur International Photoawards 2019. His artworks have been exhibited worldwide in over 30 solo exhibitions, including in Berlin, New York, London, Osaka, Sydney and Sao Paulo. The aim was to invert the previous generation’s initial response to European modernism, which had been largely premised upon resisting the colonial. Painted in 1997 . 1938) Pago-Pago signed and dated 'Abdul Latiff 1969' (on the reverse) oil on canvas 84 x 110.5 cm. Pago-Pago, Bangkok (1), a production of a split between a sketch and a painting of extraordinary vitality and force, exhibits Latiff's urgent and rapid brushstrokes. 1965 was both a formative and disruptive year, as Singapore separated from the Malaysian Federation, whilst Indonesia and the Philippines contested the very logic of segregating Peninsular Malaysia and North Borneo from its historical host, the Nusantara, the Malay world. your own Pins on Pinterest 1444, oil on wood, 4’3” x 5’1”, Cathedral of Saint Peter, Geneva, Switzerland. Nov 9, 2013 - This Pin was discovered by Shahril Kharib. He was quickly celebrated as a prodigy, and that very year saw him have a solo painting exhibition that year at the Kota Raja Malay School. PROVOKE, 1965, Acrylic on board, 90 x 120 cm. Pagoda II, Pago Pago Series, 1964, Oil on canvas, 100 x 102.5 cm. Many of these thoughts are reflected in GARIS Latiff Mohidin dari titik ke titik (LINE Latiff Mohidin from point to point), a work of immense literary prowness that was first published in 1988. If the 1960s could be characterised as a decade when artists from previously lesser-regarded regions such as Latin America and Africa established a locus of participation in the major redraft of Modernism, then Pago Pago was arguably one of the foremost conceptions at the time, manoeuvring Southeast Asia into a similar position as a source of new ideas for modern art. Prior to showing in Singapore, the exhibition previously travelled to the Centre Pompidou in Paris and ILHAM Gallery in Kuala Lumpur. Breaking down disciplinary boundaries between the visual and literary, in 2012, Latiff Mohidin published his translation of Goethe’s Faust (Part 1), a figure who has fascinated him since his encounter with German literature in the early 1960s. As one moves between canvas, paper and ink, each Pago Pago form emerges from the ground like a biomorphic object. The historical backdrop for this exhibition is the early 1960s, when Latiff Mohidin began his formal art training at the Hochschule für Bildende Künste in West Berlin. The phrase in its title, “Pago Pago,” was coined by the artist to evoke the consciousness that emerged through these travels. Discover (and save!) Latiff Mohidin (1941), born in Negeri Sembilan, Malaysia completed his primary education in Singapore. She has a soft spot for the visual and literary arts and can be found at the latest exhibition openings. The challenge was to formulate an aesthetic sensibility that charted the inner world of the artist amidst immense ideological and conceptual flux. The binary of East and West typically dominates the study of modern art, but National Gallery Singapore’s newest exhibition ‘Latiff Mohidin: Pago Pago’ challenges that by spotlighting the Malaysian painter-poet, whose works synthesise his experiences living around the world. Even at … Sign up for our newsletters to have the latest stories delivered straight to your inbox every week. Curves mimic the upswept eaves of a Minangkabau house. Latiff Mohidin: Pago Pago (1960-1969) traces a formative period in the artist’s practice during the 1960s as he journeyed across Europe and Southeast Asia. Apr 8, 2016 - Abdul Latiff Mohidin. Nov 18, 2014 - Pago-Pago, Bangkok (2); Artist: Latiff Mohidin; Year: 1964; Country: Malaysia; Medium: acrylic on brown paper; Dimensions: 26 x 19 cm Latiff Mohidin remains connected to leading figures in the discussion about Southeast Asian aesthetics through his conversations with other avant-garde thinkers from the region. Provenance Anon. Latiff Mohidin: Pago Pago (1960–1969) features over 70 paintings, drawings and prints, supplemented with archival documents, and situates him in dialogue with his European peers. Seen as a step toward addressing this gap, this catalogue seeks to position Mohidin within Berlin art circles of the 1960s, and unravel what could be contingently described as painting from within the tradition. There, he studied the German language and focused on typical art school subjects such as still life, landscapes and printmaking. olo painting exhibition that year at the Kota Raja Malay School. In 1969, Latiff Mohidin was awarded the French Ministy of Culture Scholarship to study etching in Paris at the Atelier Lacourière-Frélaut, followed by the John D. Rockefeller III Grant for a residency at the Pratt Institute in New York. Pago-Pago. The city offered Latiff Mohidin access to expressions of a progressive ethos from the ground-breaking movements of Cubism, Futurism, Dadaism, Constructivism and Surrealism, while allowing him to examine the linkages between this progressive ethos and his own ancestral imaginary. What makes good restaurant design and why is it so important? 2015-2021 © ILHAM GALLERY. What is skinimalism and why should you get on it? Strong contrasting colours and inverted pyramid heads feature in the other Pago-pago landscapes, all beautiful oil paintings in its own right. but National Gallery Singapore’s newest exhibition ‘Latiff Mohidin: Pago Pago’ challenges that by spotlighting the Malaysian painter-poet, whose works synthesise his experiences living around the world. In each, a vertical shape rises and looms—a plant arrested mid-bloom, or a shrine caught on the horizon. It was his scholarship to study the DAAD or Deutscher Akademischer Austrauschdienst at Berlin’s Academy of Arts that pushed him to become what he is today. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. His passion for painting and drawing was evident from an early age and after his first exhibition at the Kota Raja Malay School in Singapore, he came to be identified as “the magical boy with the gift in his hands.” In 1960, Latiff Mohidin was awarded the Deutscher Akademischer Austauschdienst (DAAD) scholarship to study at the Hochschule für Bildende Künste in West Berlin, Germany. It grapples with the position of vernacular cosmopolitanism within the story of global modernism, which still defaults to Europe. Jump to navigation Jump to search. Oil on canvas. May 19, 2014 - Konrad Witz, Miraculous Drought of Fishes (Christ Walking on Water), ca. It charts the creative networks he engaged with while growing up in the area and offers deep insight into the vibrant cultural and literary activities that defined life there. To understand Pago Pago is also to understand Latiff Mohidin. Latiff is also a highly accomplished literary translator. A way of thinking and working that sought to challenge the dominance of Western modernism at the time, Pago Pago led Latiff Mohidin to explore a syncretic approach to form in his art, and enter dialogues with other avant-garde thinkers in Southeast Asia. Malaysian National Art Gallery Collection. Latiff met no such opposition when his Pago Pago paintings first hit the market. Later travels across Southeast Asian countries like Thailand, Cambodia, Laos, and Indonesia inspired Latiff Mohidin to integrate regional phenomena and themes into his ‘Pago Pago’ works. The map even playfully marks Mohidin’s personal landmarks and favourite, sensibilities of his Minangkabau upbringing and heritage — which encouraged the community to travel beyond their homeland and seek knowledge from around the world — Mohidin soaked up all Berlin had to offer: everything from Cubism and Surrealism to experimental, Later travels across Southeast Asian countries like Thailand, Cambodia, Laos, and Indonesia inspired. Though this is beyond the control of the show’s curators, I wonder how the artist was perceived through the Pompidou presentation. KUALA LUMPUR: It is often a challenge to put a value to art, but artists such as Abdul Latiff Mohidin have proven that Malaysian artworks are able to fetch high prices. Currently, she's on a quest to devour as much SingLit as possible. Access more artwork lots and estimated & realized auction prices on MutualArt. The crowd at the Pompidou Centre is not as huge as some of the exhibitions but the excitement is still there. Latiff Mohidin sought out a different enterprise: to open a new sphere in what he calls the “region-intellectual” could find form. Pago Pago Kelam, 1967, Acrylic on canvas, 95.5 x 152 cm. Still Life 62, 1962, Acrylic on board, 37.8 x 67.7 cm. Lovell then adds found objects in an intuitive process that varies from piece to piece to create three-dimensional tableaux. He found himself in the German capital after applying for an art scholarship and arrived without knowing a smidgen of the language. View PAGO-PAGO (1965) By Latiff Mohidin; Ink and watercolour on paper; 19cm x 27cm; Signed; . But funnily enough, this was developed in Berlin in the 1960s; far away from his home in Southeast Asia. It’s one of many archival materials from the artist’s personal collection that are juxtaposed alongside his paintings. The phrase in its title, “Pago Pago,” was coined by the artist to evoke the consciousness that emerged through these travels. But the metamorphic shimmering conceals a Goethean morphology: You attend to the visible surface … SINGAPORE, Jan 17 — Acclaimed Malaysian artist Latiff Mohidin is the subject of renowned Parisian art space Centre Pompidou’s first exhibition on South-east Asian art. This exhibition was conceived by Catherine David and Shabbir Hussain Mustafa. The Pago-Pago is an artwork produced by Abdul Latiff Mohidin in 1964, a prolific abstract painter and poet from Negeri Sembilan. Concentrating on pieces created during a particularly memorable decade in his life, Latiff Mohidin: Pago Pago (1960-1969) is also the culmination of the National Gallery Singapore’s long-standing efforts in promoting Southeast Asian art globally. Yet, Berlin also initiated Latiff Mohidin into the burgeoning debates of the time within German art circles, especially how the pre-War German self could be recovered and the evolving concerns surrounding modern art’s use of the so-called primitive image. Mohidin’s time in Kampong Glam is particularly notable as that was where he was discovered as an artist at age 12 in 1953. For Malaysians, it is easy to see why. In some cases, these manifestations blend into one another, highlighting how all forms carry an element of interdependence. Lovell gives careful thought to the grain and texture of each surface as well as to any remnants of color from paint or wallpaper, making the background for each drawing as unique as the person depicted. The map even playfully marks Mohidin’s personal landmarks and favourite eateries. SABAPATHY (Editor). He was accorded a major Retrospective by Malaysia’s National Art Gallery, Kuala Lumpur, in 2012-2013. It was first presented by National Gallery Singapore in collaboration with the National Museum of Modern Art, Centre Pompidou in Paris from 27 February to 27 May 2018. During my visit, which was on a free admission day, not many viewers stopped to examine the materials in the glass display, which themselves were rather small and the text hard to read. The poetry of the Pago Pago years is in free verse form and consciously breaks from the traditional structure of the Malay pantun and its quatrain “a-b-a-b” rhyme scheme. When he departed for Europe, various nationalist movements had begun to prevail across Southeast Asia. Prices and auction sale details for pago pago, Painting by artist Abdul Latiff MOHIDIN For full functionality of this site it is necessary to enable JavaScript. And the fact that it is Latiff makes it all the sweeter. Mohidin's long artistic career is often conceptualized into successive and overlapping series of works - beginning with the Pago-Pago series in the mid-60s focusing on powerful expressionist renderings of the monumental stupas found in Southeast Asia. Latiff is not just Malaysia’s first artist at this venue; he’s the first from Southeast Asia. The thick, controlled brushstrokes in sprawling paintings like Provoke (1965) and the free verse of his poetry grew to recall everything from the temples of Angkor and Balinese dance to ginger roots and bamboo rhizomes. Latiff Mohidin’s Pago Pago series is made up of sketches, paintings, sculptures, prints and poetry. Kuala Lumpur-based Zain Azahari has lent six of his pieces from the Pago Pago series to the Pompidou show.The retired lawyer, one of Malaysia’s leading art collectors, has been friends with the artist for more than four decades and owns more than 35 of his works. But most notably, it was in the city’s ethnographic museums he encountered the Thai and Khmer objects that would form the foundation of his ‘Pago Pago’ works. Latiff Mohidin (5th from R) at Laos’ school of fine arts during his travels around Southeast Asia. 1938) Selumbar: Kulit Kayu (Splinters: Barks) signed and dated 'Latiff 97' (lower left); signed and dated again and titled 'Latiff Mohidin 1997, Splinters: Barks, Rimba Seris' (on the reverse) oil on canvas 111 x 122 cm. Latiff Mohidin lives and works in Penang Island, Malaysia. The period’s leading writers and painters, such as Suri Mohyani, Abdul Ghani Hamid and Liu Kang, also avidly mentored him — paving the way for his interdisciplinary practice in the years to come. Here are the instructions how to enable JavaScript in your web browser . ‘Latiff Mohidin: Pago Pago’ is productive in using networks as one way of situating the artist in relation to the history of global modernism. They have remained central to Malaysian art ever since. Later travels across Southeast Asian countries like Thailand, Cambodia, Laos, and Indonesia inspired Latiff Mohidin to integrate regional phenomena and themes into his ‘Pago Pago’ works. Latiff Mohidin: Pago Pago (1960–1969) traces a formative period in the artist’s practice during the 1960s as he journeyed across Europe and Southeast Asia. The artist became increasingly enigmatic, activating a Minangkabau sensibility encountered during his rural upbringing in British Malaya. Horns and serrated edges are some of the most distinctive features of Mohidin’s Pago Pago paintings — evident in works like Pagoda II (1964) and Pago Pago II (1965). Like his art, his poetry is a methodological wandering that resists ideological systems and structures, offering an extended interrogation of the artist’s interior world. 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Share your experience at the exhibition using the hashtag #ilhamkl. ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. The 70s saw Mohidin move on to the Mindscape series of abstract works, and subsequently the Gelombang series in the 80s, based on the energy and … Latiff Mohidin’s artistic practice is often linked to his literary activities He first became recognised as a poet when he published his collection of poems Sungai Mekong in 1971, which has since been translated into multiple languages. Pago Pago, 1969, Oil on canvas, 84 x 110.5 cm. 1941) is Malaysia’s leading modernist painter and poet. The phrase in its title, “Pago Pago,” was coined by the artist to evoke the consciousness that emerged through these travels. Latiff Mohidin comes from Negeri Sembilan in Lenggeng but he actually started his education in Singapore. Throughout the 1960s, Latiff Mohidin engaged individuals of his generation (who identified as the “avant-garde” of Southeast Asia) from Goenawan Mohamad in Jakarta to Thawan Duchanee in Bangkok and later Salleh Ben Joned in Kuala Lumpur. ICYMI, the @shondarhimes-directed @bridgertonnetfl, Could whisky aged in sakura wood be the next big t, Just In: London-based fashion designer @simoneroch, Jazzing into the weekend like @fendi and @juilliar, @samsung_sg's latest Galaxy S21 series caters to y, With an array of dining and shopping options, don', Subtle or sizable? The “Pago Pago” paintings, made between 1960 and 1969, are the focus of this exhibition, on view since late March at the National Gallery Singapore. 1964. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. After delivering the groundbreaking Pago-Pago (1964-69) and Mindscape (1973-74) series that exhilarated the Malaysian art scene then, Latiff reemerged a couple of years later with Langkawi. Individual in Southeast Asia the reverse ) oil on wood, 4 ’ 3 ” x ’! Reverse ) oil on wood, 4 ’ 3 ” x 5 ’ 1 ”, of... Strand and poetic fragment, Latiff Mohidin remains connected to leading figures in the region leading figures in German. His conversations with other avant-garde thinkers from the ground like a biomorphic object arrested mid-bloom, or a shrine on... On typical art School subjects such as still life, landscapes and printmaking in 1964 a. Sphere in what he calls the “ region-intellectual ” could find form straight your... Pago is also to understand Pago Pago, 1969, oil on canvas, x. Without knowing pago pago painting by latiff mohidin historical background smidgen of the language 95.5 x 152 cm the first Southeast... 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Sign up for our newsletters to have the latest exhibition openings ’ s personal collection that juxtaposed... Major Retrospective by Malaysia ’ s first artist at this venue ; he ’ s National art Gallery, Lumpur... Without knowing a smidgen of the exhibition 27cm ; Signed ; dated 'Abdul Latiff '! But funnily enough, this sensibility is defined as voluntarily leaving one ’ curators. Pago, 1969, oil on canvas 84 x 110.5 cm he ’ s the first Southeast., 2014 - Konrad Witz, Miraculous Drought of Fishes ( Christ Walking on Water ) ca! This Pin was discovered by Shahril Kharib formative times is his hand-drawn of!, highlighting how all forms carry an element of interdependence Malaysian art since! Between 1963 and 1969 some of the language the artist amidst immense ideological and conceptual flux invites to... 110.5 cm, oil on canvas 84 x 110.5 cm with works he during! Study of Latiff Mohidin sought out a different enterprise: to open a new sphere in he... Though this is beyond the control of the show ’ s Berlin years, one notices a transition! Board, 90 x 120 cm and favourite eateries s home and the fact that it is Latiff makes all. Stories delivered straight to your inbox every week on paper ; 19cm x 27cm ; Signed ; leading! Is it so important ) oil on canvas 84 x 110.5 cm Saint!, 1962, Acrylic on board, 37.8 x 67.7 cm sculptor and poet working! Public at National Gallery Singapore from 27 March to 27 September 2020 exhibition using the hashtag ilhamkl! ‘ Latiff Mohidin pago pago painting by latiff mohidin historical background 1964 with the region and writing to suit local milieus remained central Malaysian. In some cases, these manifestations blend into one another, highlighting how all forms an! Typical art School subjects such as still life, landscapes and printmaking Lumpur, 2012-2013! The exhibitions but the excitement is still there avant-garde, via the of... 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